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PUNJABI LANGUAGE

 

 

 

The language of Punjab


Punjabi is a intercontinental language. Its speakers are spread  all over the world. The natives of Punjab region of India and Pakistan speak this language. Basically the Punjabi is the language of Punjab. The word Punjab is made up of two words Panj and Aab. Panj means five and Aab means water, the land of five rivers. This name was probably given to this land of five rivers possibly in an era when this region came into close contact with persia. Prior to that period this region was known by different names at different times. Probably when at the height of its glory it was known as Sapta Sindhu, the land of seven rivers. Punjab lies in the North West of India. Being in the way of invaders from the North, Punjab has had to take a lot of bottle ring from the invaders.

Punjabi speaking state, come into being during a period of religious revival in the 15the & 16the centuries. It was founded as a new religious order by Guru Nanak the Punjab was constituted a separate province of India in 1937.Punjabi in India is more open to Sanskrit and traditional sources where as Punjabi in Pakistan is trying to explore Perso-Arabic Sources. Punjabi is a member of Indo Aryan language family. It is more closely connected with the other Indo-Aryan languages.

Indo-Aryan languages


Punjabi is a tonal language. Tone differentiates Punjabi from the other Indo-Aryan languages. There are three tones in Punjabi. High tone, mid tone and low tone. It is very important to piston to the pronunciation of a native speaker for getting an auditory impression of these tones and to imidate them for acquiring an accurate pronunciation. While producing these tones, there is neither priction nor stoppage of air in the mouth. They are pronounced always concurrently with a syllable.
High tone is higher then the other two tones and the syllable with this tone is also shorter than those with other two tones. High tone is marked by [/] above the vowel under tone. Mid tone is considered to be an intermediate in pitch between the high and the low tones. The syllable is of an intermediate height in typs case. Mid tone is not marked in the phonetic transcription low tone has been described as the lowest of the three tones. The pitch tends to fall. The syllable under this tone is longer in comparison with the other two. Low tone is marked by [\] above the vowel under tone.

Examples:-

1. Kora (Horse) Kora (Whip) Kora (Leper)
2. Ca (peep) Ca (enthusiasm) Ca (tea)

 

The Script of Punjabi language

There are these basic vowel letters in the Script of Punjabi language. These are vowel carriers. With the use of matras ten vowel letters are created from these basic three letters.
u, (e), i are short vowels and u, a, i, e, o, E, (e) are long vowels.
The long vowels are held longer and pronounced more tensely then the short vowels. These vowels are shown in the following table :
		Front			Central			Back
-----------------------------------------------------------------------------------------------------------------------------------------
High	i					u
			I					U
-----------------------------------------------------------------------------------------------------------------------------------------
Middle
		e					o
			E					C
					e
-----------------------------------------------------------------------------------------------------------------------------------------

Low				a
So there are ten vowels in Punjabi. These pure vowels also get nasalised. Nasilisation of final long vowels is extremely common, especially in dialects. Punjabi has a number of diphthongs. The first member of a diphthong is always a short and the second one is a long vowel. Ia, Io, Ic, ei, ee, eu, ua are the diphthongs in Punjabi.
The stress is an important feature of Punjabi. In general the number and distribution of long and short syllables determine the position of the stress in a word.
Gemination is also an important feature of Punjabi. All consonants except / n, r, r, l, h, y & v / occur as geminates. Geminates are preceded by short vowels. Gemination of consonants is phonemic. The table of consonants:
		Velar	Palatal	Retroflex	Dental	Labial
-------------------------------------------------------------------------------------------------------------------------------------
	voiceless	/k/	/c/	/t/	/t/	/p/
stop{    aspirates	/kh/	/ch/	/th/	/th/	/ph/
	voiced	/g/	/j/	/d/	/d/	/b/
	nasals	/n/	/n/	/n/	/n/	/m/
	flaps&trills
			/r/	/r/
	laterals			          /l/	          /l/
sibilants{
	voiceless
		/s/		/s/
	voiced	
				/z/
	fricatives	/x/				/f/
	aspirates	/n/
	semi-vowels/y/				/v/
These are the consonants of Punjabi. Speech sounds life s., x, g., j. & f are Persian and Arabic sounds. These sounds are retained in the speech of educated persons. The sounds like x, g., j., f and respectively kh, g, j, ph, are in free variation.
Nouns in Punjabi are inflected for number, gender and case. There are two numbers in Punjabi singular and plural. All masculine nouns, pronouns, adjectives and verbs ending in /a/ are singular in number. The /a/ changes into /e/ in its plural from. There are two genders in Punjabi masculine & feminine. Mostly /a/ ending nouns are masculine and /i/ ending nouns are feminine. But this rule is not fixed. There are some nouns, which are /i/ ending but are masculine. Similarly a number of /a/ ending nouns are feminine. A few /a/ ending masculine and /i/ ending nouns are feminine. But this rule is not fixed. There are some nouns which are /i/ ending but are masculine. Similarly a number of /a/ ending nouns are feminine. A few /a/ ending masculine nouns do not change in their plural form. The /i/ ending feminine nouns change into /ia/ in the plural form.
In Punjabi there are two ways of expressing relations between nouns in a sentence (1) Synthetic, which adds case endings to nouns and (2) Analytic which combines nouns in the oblique case with post positions. Pronouns are inflected for number and case in Punjabi. There are two types of adjectives are used in Punjabi. These are known as 'black adjectives or inflected' and 'red adjectives' or uninflected. The forms of black adjectives change according to the gender and number of noun. Red adjectives do not change in number & gender.

The Gurmukhi Script


Punjabi is written in the Gurmukhi Script which literally means 'from the mouth of Guru' referring to its use in the Guru Granth Sahib, the holy scripture of the sikhs. Gurmukhi is written from left to right the orthography is called /PEti/ as the number of its letters are thirty five. As indicated Punjabi is tonal language. Gurmukhi script merges unvoiced consonant followed by falling tone on to tonal letters, i.e. x, M, Y, X, G To mark high tone, however, there is separate symbol 'u' which is placed subliminally. 

Nasalisation is phonemic in Punjabi. In the Orthography two symbols are used for it. These symbols are known as /t. I p p i/ [] and /b I d i/ []. The signs of t. I p p i and b I d i are placed above the vowels. t I p p i is placed over inherant or clear vowel [a], [I] and with the mantras of [u] and [u]. b I d i is placed over other vowels e.g. [a], [i], [e], [E], [o], [c] and in the initial position of [U] and [u].


Germination is phonemic in Punjabi is indicated by the sign [u] called addak above the letter and before the consonant to be germinated.
Punjabi language has a number of regional dialects that are spoken in both India as well as in Pakistan. The main dialects of Punjabi in India are : Majhi, Doabi, Malwai and Puwadhi. The regional dialects like Pothohari, Lehandi & Multani and so on are spoken in Pakistan. In India the Punjabi is written in Gurmukhi script as far as in Pakistan it is written in Perso-Arabic Script.


It is commonly believed that, standard Punjabi as written in Gurmukhi Script, is based on the Majhi dialect.
Punjabi literature has its own significance. Right from its known roots Punjabi literature starts on a secular note with the poetry of Sheikh Farid in 12the centaury. This basic character of Punjabi literature continues all along the Bhagti movement. The Devotional Compositions of Guru Nanak are in the praise of God. In 1605 the 5th Guru Arjun Dev compiled all the poems of Guru Nanak, of his successors and various Bhagatas in Guru Granth Sahib. Muslim Sufi poets made important contribution to Punjabi literature through an entirely Indian and Punjabi spirit. A number of romances of love appeared to have existed in Punjab on which popular ballads were written. Modern Punjabi literature is known to have begun with works of the famous Sikh poet Bhai Vir Singh. His biographies on Guru Nanak and Guru Gobind Singh are also some of his pioneering work. He made a notable contribution to Sikh history and religion.

Punjabi as a second & foreign language


Learning Punjabi as a second & foreign language it is important for the learners to be familiar with the following skills. These are four basic skills :

  • Listening, 
  • Speaking,
  •  Reading & Writing


Listening as a skill means that a learner is also to listen each meaningful sound, word, sentence, distinctively and with comprehension. The listener develops the Auditory perception through concentration or proper attention. Speaking is a major means of communication. The development of the skill of speaking means that the student is able to communicate ideas, thoughts and feelings with precision and clarity. The basic skill of reading is that a learner must be able to (1) recognize letters, group of letters, words and sentences along with all the secondary symbols or punctuation markers (2) read the written materially related to his interest, ability and need and (3) comprehend whatever he reads. Writing skill involves a wide range from the acquisition of script to the creative writings. A learner must learn letters of an alphabet, spelling system, joining of letters, writing of words, phrases and sentences along with the use of all the appropriate punctuation markers.
A language learner can learn a language more effectively with the following drills.

  1. Response drill.
  2. Repetition drill.
  3. Substitution drill.
  4. Transformation drill.
It depends upon the response of the learner about the sounds, words he has learned. The learner can develops his ability of learning language with the help of repeating the sounds, words again and again. After learning a particular level the learner is able to use the substitute word in the given sentence. The learner is able to transform the word and sentence from masculine to feminine and from singular to plural accordingly. So these drills are more useful for a second and foreign language learner.

Contributor:
Dr. Devinder Singh
NORTHERN REGIONAL LANGUAGE CENTER
PUNJABI UNIVERSITY, CAMPUS

Source: The Punjab Heritage